References
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- Krisna, S., & Soelistyo, L. (2013). BLACK POWER IN MAYA ANGELOU’S “STILL I RISEâ€, “PHENOMENAL WOMANâ€, AND “WEEKEND GLORY.†K@Ta Kita, 1(1), 151031. http://katakita.petra.ac.id/index.php/sa stra-inggris/article/download/382/321
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- Gramsci, A. (2020). Selections from the prison notebooks. In Routledge eBooks (pp. 141– 142). https://doi.org/10.4324/9780429355363 -27
- Hauser, W. (1991). Subaltern Studies VI, Writings on South Asian History and Society. Edited by Ranajit Guha. Delhi: Oxford University Press, 1989. The Journal of Asian Studies, 50(4), 968– 969. https://doi.org/10.2307/2058606
- Spivak, G. C. (2003). Can the Subaltern Speak? Die Philosophin, 14(27), 42– 58. https://doi.org/10.5840/philosophin200314 275
- Lorde, A. (2000). The collected poems of Audre Lorde.
- Delgado, R., & Stefancic, J. (2001). An introduction to critical race theory. Critical Race Theory: The Cutting Edge, 1-167. https://books.google.com.pk/books?id=OOgT CgAAQBAJ&printsec=frontcover&source=gbs _ge_summary_r&cad=0#v=onepage&q&f=f alse
- RoÅŸcan, N. M. (2019). The Struggle of the Black Intellectual with Race and Gender Representation. (WEB DuBois, Frantz Fanon, AimÄ— CÄ—saire, Audre Lorde and Maya Angelou). https://awdflibrary.org/index.php?p=show_det ail&id=709
- Walker, P. A. (1995). “Racial Protest, Identity, Words, and Form in Maya Angelou’s I Know Why the Caged Bird Sings.†College Literature, 22(3), 91-108. https://works.bepress.com/pierre-walker/37/
- Collins, P. H. (1989). The Social Construction of Black Feminist Thought. Signs, 14(4), 745–773. https://doi.org/10.1086/494543
- Krisna, S., & Soelistyo, L. (2013). BLACK POWER IN MAYA ANGELOU’S “STILL I RISEâ€, “PHENOMENAL WOMANâ€, AND “WEEKEND GLORY.†K@Ta Kita, 1(1), 151031. http://katakita.petra.ac.id/index.php/sa stra-inggris/article/download/382/321
- Wongpint, J. (2006). An Analysis of the Empowerment of Women as Reflected in Selected Works by African American Feminist Writers. http://thesis.swu.ac.th/swudis/Eng(Ph.D.)/Jongki t_W.pdf
- Gramsci, A. (2020). Selections from the prison notebooks. In Routledge eBooks (pp. 141– 142). https://doi.org/10.4324/9780429355363 -27
- Hauser, W. (1991). Subaltern Studies VI, Writings on South Asian History and Society. Edited by Ranajit Guha. Delhi: Oxford University Press, 1989. The Journal of Asian Studies, 50(4), 968– 969. https://doi.org/10.2307/2058606
- Spivak, G. C. (2003). Can the Subaltern Speak? Die Philosophin, 14(27), 42– 58. https://doi.org/10.5840/philosophin200314 275
- Lorde, A. (2000). The collected poems of Audre Lorde.
- Delgado, R., & Stefancic, J. (2001). An introduction to critical race theory. Critical Race Theory: The Cutting Edge, 1-167. https://books.google.com.pk/books?id=OOgT CgAAQBAJ&printsec=frontcover&source=gbs _ge_summary_r&cad=0#v=onepage&q&f=f alse
- RoÅŸcan, N. M. (2019). The Struggle of the Black Intellectual with Race and Gender Representation. (WEB DuBois, Frantz Fanon, AimÄ— CÄ—saire, Audre Lorde and Maya Angelou). https://awdflibrary.org/index.php?p=show_det ail&id=709
- Walker, P. A. (1995). “Racial Protest, Identity, Words, and Form in Maya Angelou’s I Know Why the Caged Bird Sings.†College Literature, 22(3), 91-108. https://works.bepress.com/pierre-walker/37/
Cite this article
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APA : Kalhoro, R., Lakhmir, W. A., & Mastoi, R. B. (2023). Representation of White and Black in Maya's I know why the Caged Bird Sings and Lorde's Power: A Comparative Analysis. Global Sociological Review, VIII(II), 147-154. https://doi.org/10.31703/gsr.2023(VIII-II).16
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CHICAGO : Kalhoro, Rani, Waseem Ahmed Lakhmir, and Ruqia Bano Mastoi. 2023. "Representation of White and Black in Maya's I know why the Caged Bird Sings and Lorde's Power: A Comparative Analysis." Global Sociological Review, VIII (II): 147-154 doi: 10.31703/gsr.2023(VIII-II).16
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HARVARD : KALHORO, R., LAKHMIR, W. A. & MASTOI, R. B. 2023. Representation of White and Black in Maya's I know why the Caged Bird Sings and Lorde's Power: A Comparative Analysis. Global Sociological Review, VIII, 147-154.
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MHRA : Kalhoro, Rani, Waseem Ahmed Lakhmir, and Ruqia Bano Mastoi. 2023. "Representation of White and Black in Maya's I know why the Caged Bird Sings and Lorde's Power: A Comparative Analysis." Global Sociological Review, VIII: 147-154
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MLA : Kalhoro, Rani, Waseem Ahmed Lakhmir, and Ruqia Bano Mastoi. "Representation of White and Black in Maya's I know why the Caged Bird Sings and Lorde's Power: A Comparative Analysis." Global Sociological Review, VIII.II (2023): 147-154 Print.
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OXFORD : Kalhoro, Rani, Lakhmir, Waseem Ahmed, and Mastoi, Ruqia Bano (2023), "Representation of White and Black in Maya's I know why the Caged Bird Sings and Lorde's Power: A Comparative Analysis", Global Sociological Review, VIII (II), 147-154
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TURABIAN : Kalhoro, Rani, Waseem Ahmed Lakhmir, and Ruqia Bano Mastoi. "Representation of White and Black in Maya's I know why the Caged Bird Sings and Lorde's Power: A Comparative Analysis." Global Sociological Review VIII, no. II (2023): 147-154. https://doi.org/10.31703/gsr.2023(VIII-II).16